Tuesday, February 21, 2006

Animal Collective is totally awesome


While filling my daily quota of procrastination via web surfing, I decided to look into a band recommended to me a while back. Animal Collective is a quartet from... I'm just gonna copy and paste the description from R5 productions:

The Brooklyn-based modern folk group comprised of DEKAN, GEOLGIST, AVEY TARE and PANDA BEAR under their ANIMAL COLLECTIVE moniker. Built around the AVEY TARE and PANDA BEARS gorgeous harmonic vocals and twin acoustic guitar strumming, the group moves from chiming acoustic guitar songs to gentler, more dispersed picked ballads to sprawling, guitar-swell psychedelics, bubbling, acid-warped vocal effects, and tribal, almost shamanic trance-outs based around looping vocals and hypnotic kick-pulses. Influences range from the Holy Modal Rounders to Simon & Garfunkel, Syd Barrett, the Beach Boys, the Incredible String Band, Brazilian tropicalia, Gilberto Gil, Milton Nasciemento, Black Dice, and beyond. Sweet melodies, big catchy hooks, and a ton of focus and personality.


After listening to a few of their tracks (which are posted on the R5 site) I totally had one of those they beat me to it moments. Now I'm going to wallow in my own creative hollows while soaking in those AC melodies, flickering back and forth between real time and... .. .

Sunday, February 19, 2006

To know us is to know our music


I'm not sure why, but lately I've been experiencing some circular thinking regarding the communicative powers of music. When I expose a friend to Messiaen or Bach for the first time, my hands burst into the air and I say, "he was trying to communicate his thoughts on God-- his deepest spiritual philosophies... isn't it interesting that a man so religious... who could have chosen to preach or write essays... chose music as the method?"

I've also stopped composing for the most part. Or... well, I'm composing, but lets not get into that project. Instead, I'm playing free-improvised music as a way to explore and connect. And I've been completely amazed and grateful to have found a connection to some kind of earthly root, where my reptile brain is given opportunity to say something, and holy shit! It's beautiful!

These experiences have motivated me to explore my "world music" collection which includes mostly gamelan, east and west african music, and some indian ragas. In tribal conditions, music served a very spiritual purpose. And as I explore my own improvising inclinations more and more, and I am noticing similarities to tribal music. How interesting. And now, although I'm certainly guilty of imposing my will to some extent, even Bach, Messiaen, Scriabin, and Alkan are relating to this tribal music. There is a sense of obsession to texture, timbre, and repetition. There is a sense of surrendering.

THEN... I somehow had the urge to look up the Voyager golden record. You remember, the one that was shot off to space so that aliens light years away can learn about our beautiful planet and diversity of life, behavior, and ultimately culture and art. The record included audio excerpts of animal sounds as well as sound of the earth like rain and wind. Also included were examples of music from cultures around the world. Bach prelude in C major was the only piece I knew for sure was included since I remember it being referenced in Thirty-Two Short Films about Glenn Gould. But what else was included? What did the panel decide? What mix-tape was fit for intergalactic travel?

* Bach, Brandenburg Concerto No. 2 in F. First Movement, Munich Bach Orchestra, Karl Richter, conductor. 4:40
* Java, court gamelan, "Kinds of Flowers", recorded by Robert E. Brown. 4:43
* Senegal, percussion, recorded by Charles Duvelle. 2:08
* Zaire, Pygmy girls' initiation song, recorded by Colin Turnbull. 0:56
* Australia, Aborigine songs, "Morning Star" and "Devil Bird", recorded by Sandra LeBrun Holmes. 1:26
* Mexico, "El Cascabel", performed by Lorenzo Barcelata and the Mariachi MĂ©xico. 3:14
* "Johnny B. Goode", written and performed by Chuck Berry. 2:38
* New Guinea, men's house song, recorded by Robert MacLennan. 1:20
* Japan, shakuhachi, "Tsuru No Sugomori" ("Crane's Nest") performed by Goro Yamaguchi. 4:51
* Bach, "Gavotte en rondeaux" from the Partita No. 3 in E major for Violin, performed by Arthur Grumiaux. 2:55
* Mozart, Die Zauberflöte, Queen of the Night aria, no. 14. Edda Moser, soprano. Bavarian State Opera, Munich, Wolfgang Sawallisch, conductor. 2:55
* Georgian S.S.R., chorus, "Tchakrulo", collected by Radio Moscow. 2:18
* Peru, panpipes and drum, collected by Casa de la Cultura, Lima. 0:52
* "Melancholy Blues", performed by Louis Armstrong and his Hot Seven. 3:05
* Azerbaijan S.S.R., bagpipes, recorded by Radio Moscow. 2:30
* Stravinsky, Rite of Spring, Sacrificial Dance, Columbia Symphony Orchestra, Igor Stravinsky, conductor. 4:35
* Bach, The Well-Tempered Clavier, Book 1, Prelude and Fugue in C, No.1. Glenn Gould, piano. 4:48
* Beethoven, Fifth Symphony, First Movement, the Philharmonia Orchestra, Otto Klemperer, conductor. 7:20
* Bulgaria, "Izlel je Delyo Hagdutin", sung by Valya Balkanska. 4:59
* Navajo Indians, Night Chant, recorded by Willard Rhodes. 0:57
* Holborne, Paueans, Galliards, Almains and Other Short Aeirs, "The Fairie Round", performed by David Munrow and the Early Music Consort of London. 1:17
* Solomon Islands, panpipes, collected by the Solomon Islands Broadcasting Service. 1:12
* Peru, wedding song, recorded by John Cohen. 0:38
* China, ch'in, "Flowing Streams", performed by Kuan P'ing-hu. 7:37
* India, raga Bhairavi, "Jaat Kahan Ho", sung by Surshri Kesar Bai Kerkar. 3:30
* "Dark Was the Night", written and performed by Blind Willie Johnson. 3:15
* Beethoven, String Quartet No. 13 in B flat, Opus 130, Cavatina, performed by Budapest String Quartet. 6:37

Phew. Boy is that controversial. Was there really room for multiple examples from a single mind? Beethoven shows up twice, Bach thrice!

This begs the obvious, glorious question. What music would you send to space? Personally, I am one to first consider the purpose. This aspect of the record was created to inform alien intelligent life of our humanity through music. Surely Beethoven and Bach deserve a spot, but I hardly find it reasonable to give them more than a track. If Western European music deserves more time, what about the great melodies? Certainly melody was under-represented. Hmmm... and which melodies are worthy of intergalactic travel? Puccini? Gershwin? Tchaikovsky?

While the webpage loads...



In keeping with my theme of short and incredibly useful posts, I present this: How to exercise while sitting at your computer.

Thursday, February 16, 2006

The Ecstatic Gospel According to the Internal Truth



I may be (unofficially) the resident Chroma Polaris performer in the city of Philadelphia. Come check us out. I'm tellin ya, it's freakin hot.

We're working on names for the trio (Chroma Polaris, Accordian, and Percussion) before September's tour.

Bubble Raga

sleep on it

speaking of not enough time


The veins standing out in David's hands show Michelangelo's physiological accuracy of a person in pre-fight stance.

Thursday, February 02, 2006

On Expression, Criticism, Humility, Humor, etc.


...Others for Language all their Care express,
And value Books, as Women Men, for Dress:
Their Praise is still — The Stile is excellent:
The Sense, they humbly take upon Content.
Words are like Leaves; and where they most abound,
Much Fruit of Sense beneath is rarely found.
False Eloquence, like the Prismatic Glass,
Its gawdy Colours spreads on ev'ry place;
The Face of Nature was no more Survey,
All glares alike, without Distinction gay:
But true Expression, like th' unchanging Sun,
Clears, and improves whate'er it shines upon,
It gilds all Objects, but it alters none.
Expression is the Dress of Thought, and still
Appears more decent as more suitable;
A vile Conceit in pompous Words exprest,
Is like a Clown in regal Purple drest;
For diff'rent Styles with diff'rent Subjects sort,
As several Garbs with Country, Town, and Court.
Some by Old Words to Fame have made Pretence;
Ancients in Phrase, meer Moderns in their Sense!
Such labour'd Nothings, in so strange a Style,
Amaze th'unlearn'd, and make the Learned Smile...


...A smudging from Alexander Pope's An Essay on Criticism

Wednesday, February 01, 2006

Rosebud...


Orson Welles is one of the most inventive, influential, and tragic heros of the 20th century. His genius was unchallenged from his teens until his 20s, and by the time he was 24 RKO Pictures gave him the most progressive- trusting in the vision of the artist instead of the members of the board- contract Hollywood had yet to see. With this power and influence, and unchecked vision, Welles made Citizen Kane (did I say he was 24!?).

But the poor bastard was called a Communist and blacklisted from Hollywood. He grew fat and drunk, and eventually made a living doing voice-overs for scotch and frozen peas. Ah, the frozen peas. A legend in its time. Orson's famous voice-over for a british based advertising agency is one of the finest moments of comedy resulting from genius vs. underlings. Orson belittles the producers and writers and eventually becomes so frustrated with the writing and direction that he walks out of the recording session. As mean spirited as it... becomes... I can't help but sympathize. How lonely he must be in this land of refined perceptions. Some of my favorite moments:

That doesn't make any sense. Sorry. There's no known way of saying an English sentence in which you begin a sentence with "in" and emphasize it. Get me a jury and show me how you can say "In July" and I'll go down on you. That's just idiotic, if you'll forgive me by saying so. That's just stupid... "In July"; I'd love to know how you emphasize "In" in "In July". Impossible! Meaningless!

You don't know what I'm up against. Because it's full of, of, of things that are only correct because they're grammatical, but they're tough on the ear, you see. This is a very wearying one. It's unpleasant to read. Unrewarding. "Because Findus freeze the cod at sea, and then add a crumb-crisp" Ooh, "crumb-crisp coating." Ahh, that's tough, "crumb-crisp coating." I think, no, because of the way it's written, you need to break it up, because it's not, it's not as conversationally written.

I spend... twenty times more for you people than any other commercial I've ever made. You are such pests! Now what is it you want? In your... depths of your ignorance, what is it you want? Whatever it is you want, I can't deliver, 'cause I just don't see it.


It wasn't until I heard this clip that I realized Orson Welles was the inspiration for the voice of The Brain from Pinky and The Brain. Wow... that makes it even more entertaining... BTW, what crap are people watching now that Anamaniacs are off the air?

You can listen to the whole clip here.