Saturday, April 22, 2006

Healthy Forest Initiative


Ah google. My window to the world.

Today Google's logo was decorated by solar panels. Must mean it's earth day. Sure enough, a click on the logo took me to earth day search results. A few clicks later I found myself looking at the United States Government web page for earth day. How exciting! I wonder what the United States Government, the wealthiest, most moral, most visionary, most fantabulous government in the history of human civilization, was doing to celebrate our mother earth. What were the great resources of our great people doing to protect and serve our planet? What were the intentions of the brightest, healthiest, most-god-blessed civilization doing to preserve our life sphere for future generations?

Well, one thing I found was the Healthy Forest Initiative. Sadly, I have only learned about the HFI through liberally biased networks. I've heard something or other about it pressing legislation that would allow loggers the right to cut once protected forests under the guise of "preventing forest fire." But that was liberally biased. What is the government's side?

Why is the Healthy Forests Initiative Needed?

In recent years, most of us have seen televised pictures of wildland fires, evacuated communities, burned homes, and blackened forests, or witnessed these fires first hand. In 2002, Arizona, Colorado, Oregon and New Mexico, each had their largest timber fire in a century. The most devastating series of wildland fires in state history swept Southern California during October 2003. These fires killed 24 people, destroyed more than 3,700 homes, and burned 750,000 acres. Alaska set a record for acres burned in 2004. And, while fire has always helped shape our landscape, today's fires are not those of the past; they are often hotter, more destructive, and more dangerous to fight.


Wow. That's wierd. I wonder how these new mutant fires came to be. I mean, the forests seem to have been here much longer than we have. Why the sudden need for a rescue?

We know in part the reason for the difference. Compared with earlier times, many of today's forests often have unprecedented levels of flammable materials including among other materials: underbrush, needles, and leaves. In the interior West for example, Ponderosa pine forests range from Arizona and New Mexico northward into Idaho. A century ago such a forest may have had some 25 mature trees per acre and be easily traversed on horseback or by a horse-drawn wagon. Today that same forest may have more than 1,000 trees on the same acre creating conditions that are much too thick for the passage of a hiker. These tightly packed trees are smaller, weaker, more disease prone, and more susceptible to insect attack than their ancestors. Such forests form huge reservoirs of fuel awaiting ignition, and pose a particularly significant threat when drought is also a factor.


Hmmm. Forests are flammable? That's crazy. So the more they thrive, the more prone they are to self destruction. You'd wonder why God would make such a crazy, self defeating ecosystem.

Just as we know the reason for current devastating fires, we also know the solution. Wildfire requires three elements: heat, oxygen, and fuel. We can manage neither heat nor oxygen, but we can remove hazardous fuels and make them unavailable for fire's inevitable appearance. HFI helps make that happen by reducing unneeded paperwork and processes thus shortening the time between when a hazardous fuels project is identified and when it is actually implemented on the ground.


Oh. By hazardous fuels I'm sure you mean trees. I gotcha. Just wanted to be clear on that symbolic step forward. So HAZARDOUS FUEL = TREES. Okay. I'm clear. Yep. Sure, lets continue.

HFI accomplishes its goals through administrative reforms and legislative action.




Bush With Tree


As I went on reading, I found out that trees were at higher risk for insect infestation and disease. They were at risk of sustained periods of drought. And creepy crawly suburbia was not at risk since it burrowed its way into these cancerous trees. I also found a quote of Bush claiming "analysis paralysis."

hee hee. analysis paralysis.

While I am quite the expert of analysis paralysis and I do support bold, mythical steps in the escape thereof, Bush's context and logic techniques make me suspicious. Does that mean I'm paranoid?

Lets just put it this way.

Dear Mr. Government:

I support a healthy forest ecosystem that sustains itself for the remainder of our planet's existence. I understand that forest fires have been around since the oxygen and forests first met, and I strangely assume that the ecosystems have, through natural selection, assumed the adaptations that create the most sustaining characteristics possible. My question: is my assumption wrong? Are forests not able to behave in such a way as to secure their own future existence? Why are forests creating more "fuel" which makes fires "hotter" and "more destructive" (presumably towards the point of annihilation if we're concerned with saving them so much)? Are we in any way performing harm towards ecosystems? I mean, are we sacrificing one good for another?

Forgive me if I ask this, I don't mean to offend your integrity. But was the Healthy Forest Initiative in any way influenced by the profit-based intentions of the logging industry?

Thank you for your time.

Troy

Sunday, April 16, 2006

Ambigious Truth


Seigneur! Seigneur!
Musique et Poése m'ont conduit vers Toi: par image, par symbole, et par défault de vérite.
Seigneur! Seigneur!
Seigneur, illumine-moi de ta présence! Délivre-moi, enivre-moi, éblouis-moi pour toujours de ton excés de vérité...
(Il meurt.)

Lord! Lord!
Music and poetry have led me to Thee: by image, by symbol, and in default of Truth.
Lord! Lord!
Lord, illuminate me with Thy Presence! Deliver me, enrapture me, dazzle me for ever by Thy excess of Truth...



The Egyptians built the pyramids. The Romans built the Pantheon. The Saxons built Stonehenge. Messiaen built the opera St. François d'Assise. Messiaen's greatest masterpiece ends the life of St. Francis with lines inspired by St. Thomas Aquinas.

I wasn't raised religious. I am not a religious man. But I find that this quote resonates with my outlook. Perhaps my connotations of the word "Lord" are a bit more ambigious...

... but isn't that exactly it?

Saturday, April 15, 2006

Field Report


Sean and I (The Mad Man's Laughter) have been hired by Pig Iron Theater to provide original composition and sound design for their upcomming production "Love Unpunished." Details on the actual vision of this production will follow in time, but for now, lets say that the set consists of a gigantic stairwell that resembles those found in... american skyscrapers...

Certain words seem to be thrown around quite comfortably now, including...
meditation on death. prayer.

So Sean and I took a trip to a VT college where Sean's incredible friend hooked us up with some amazing studio space. The first night we played in an auditorium the size of a basketball court. I didn't think much of it at first, but I began to feel a strange comfort and energy while simply being present. I finally took a moment to really look around and noticed that the entire place was made of beautiful wooden panels which stretched from floor to the hundred foot ceiling. It reminded me of the orchestral studios I've seen in pictures of the 1950s NBC symphony.



The gods couldn't have been more generous as there was a collection of handmade instruments which were gathered for an upcomming celebration for the late composer who had crafted them. Every once in a while a chime would ring on its own, or a string would vibrate without us touching it, and we couldn't help but smile thinking that the spirit of that old composer was watching us with pleasure.

We wrote a piece for three parts which was based on a 66 beat cycle. This was performed on gamelan style instruments-- microtone vibrations and all. Practicing the cycle for two hours put us all in a very comfortable, focused frame of mind which proved to be particularly effective come our improvisation time.

Among other things, we improvised on three timpani, vibes, chimes, gongs, strange 20ft banjos strung with piano strings, and of course, piano.

The music is very beautiful and interesting and I can't wait to write more about this as the process continues. I will say that I believe that the future of this project looks fertile enough to produce what I may consider my first piece of public art.

Tuesday, April 04, 2006

Feldman and Cage and Radio



Feldman: John, wouldn't you say that what we're dependent on we call reality and what we don't like we consider an intrusion in our life. Consequently, I feel that what's happening is that we're continually being intruded upon.

Cage: But that would make us very unhappy.

F: Or we surrender to it. And call it culture.

C: Call it culture?

F: Or whatever.

C: Give me an example. What would be an intrusion in your life that you would call culture?

F: Well this weekend we were on the beach, and on the beach these days are transistor radios blaring out rock and roll. All over.

C: Yes. And you didn't enjoy it?

F: Not particularly. I adjusted to it.

C: How?

F: By saying that... well, I thought of the sun and the sea as a lesser evil.

(Laughing)

C: Well, you know how I adjusted to that problem of the radio in the environment? Very much as the primitave people adjusted to the animals that frightened them and which probably, as you say, were intrusions. They drew pictures of them in their caves. And so I simply made a piece using radios. Now whenever I hear radios, even a single one-- not just twelve at a time, as you must have heard on the beach, at least-- I think they're all just playing my piece.

(Laughing)

F: That might help me next weekend.

C: And I listened to it with pleasure. And by pleasure I mean: I notice what happens. I can attend to it, rather than, as you say "surrender," I can rather pay attention and become interested in the... well what you're actually interested in is what superimposes what-- what happens at the same time together with what happens before and what happens after.